Cirque Berserk Festival Theatre Edinburgh Tuesday 10th March 2020 Review

With Edinburgh Entertainment & Arts

HOMEPAGE PAST REVIEWS 2019 PAST REVIEWS 2018

PAST REVIEWS 2017

Cirque Berserk  returns to The Festival Theatre Edinburgh this week (Tue 10 to Sun 15 March) for its now annual visit and, as always, the skill of the performers makes the very difficult look at times so easy – but don’t try any of this at home folks.

What is Cirque Berserk then?  Perhaps the easiest way to answer that is to clearly define what it is not – despite its name, this is not a horror/punk themed circus with chainsaws and performers doing strange things to their personal body parts.  Cirque Berserk is at its heart a very traditional circus using only human performers.  Is this circus or theatre though, well obviously a circus tent is the natural home for many of the acts, particularly the aerial ones, and some adaptations have to have been made for a theatre stage.  In fact, the programme brochure clearly states “REAL CIRCUS made for theatre”.   This is then where my problems start with the show, because I have to ask myself if I am reviewing a circus show, or a theatrical show, and although the circus element is a combination of high risk factors combined with jaw dropping skill, the theatrical presentation needs some polishing in some areas and at times is a little too “cruise ship” or “tourist resort” in its performance style.

To be clear, I like Cirque Berserk a lot, and have reviewed it many times over the years, and that itself is part of the problem too as the show is to a large part the same performances that I have seen year after year.  This year though there are some changes to the line-up and in places a much needed move towards a more theatrical story arc to link the various performers together, and this is much needed as there is some serious competition out there for Cirque Berserk in the “theatrical circus” space.

What of our actual circus then?  Well, there is a little of everything here with “Timbuktu Tumblers”, Mongolian circus superstars the “Khadgaa Troupe”, aerialist Hulan, contortionist and archer extraordinaire “Elberel”,  “Viktor & Yuliya's”  truly unique unicycling act, “Duo Garcia's” daredevil stunts high above the stage floor, “Antonio & Connor's” sensational hand balancing act, strongman “The Mighty Khaan”, the knife throwing performance of “Toni & Nikol” plus dancers and aerial artists of the company.

The individual skill levels of all of the above mentioned artists has to be seen to be believed, but I have deliberately left two acts out for mention here (unfair I know to the others), but for special reasons.  First the daredevil motorcycle team “The Lucius Team” and their high risk performances at up to 60 miles per hour inside “The Globe of Death”.  Over the years I have watched this performance as eventually four riders are in the globe together, but now that has almost unbelievably been added to with a fifth rider.  Second on my list, and my first time seeing him perform, is Paulo Dos Santos, 3ft 6 inch Brazilian package of talent that combines not only comedic skills with acrobatic and aerial skills, but the person who now gives Cirque Berserk its much needed touch of emotion and at times pathos.

Cirque Berserk is a family show, and they are happy for you to take photographs (but no flash, I presume for obvious reasons) and video clips for uploading to social media. If you are going to see this show for the first time then prepare to be amazed.  If you have seen the show before and know what is coming from some of the performers, you will be reminded once again of how amazed you were first time round and maybe spot something you missed the first time too as some of this action just goes by so fast.

 

Review by Tom King

REVIEWS & INTERVIEWS

Magazines, websites, publications. If you want to use any of our reviews, or commission reviews and interviews please contact with your requirements.

SOUTHSIDE PUBLISHING

THEATRE  MUSIC  ARTS  REVIEWS

In Loving Memory - Edinburgh's Graveyards & Cemeteries by Lisa Sibbald

120 pages with nearly 200 new photographs by the author

The images on gravestones can mean so much.  Sometimes they are simply just decoration, but particularly on earlier gravestones there can be symbolism that tells you about the person who died, their beliefs, or maybe the beliefs of those who buried them.

This book will help you to understand the meaning of gravestones, as well as giving an insight into the history of mourning and burial, and a look at some of the many interesting gravestones in Edinburgh’s churchyards and cemeteries.  It can only ever be an introduction to the subject, but hopefully by the time you’ve read it, you’ll want to get out and explore graveyards and see what more you can discover

FURTHER INFORMATION

TOM KING

http://tomkinguk.weebly.com/

"We were both of us, so beautiful together
For just that one glorious, fleeting moment
Two shining souls, looking for a mate
Two glorious lovers trying to hold back the morning"

Words from "We Were Never Going To be Allowed To Keep This moment  -Were We?
copyright © Tom King 2019

FREELANCE WORDS, LYRICS,  REVIEWS  ART  PHOTOS

LISA SIBBALD

All reviews are copyright Entertainment Edinburgh / Southside Advertiser or the review writer and may not be used or reprinted in whole or in part in any medium whatsoever without the written permission of Entertainment Edinburgh / Southside Advertiser or the review writer.

We do however make exception for artists, companies and theatres involved in any review to use reviews (or part of) for their own promotion and publicity